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SWEET

Sweet


Sweet (referred to as The Sweet on albums before 1974 and singles before 1975) were a popular 1970s British glam rock band.

In January 1971, Sweet made their UK television debut on a pop show called Lift Off, performing "Funny Funny".

In March 1971, "Funny Funny" became their first international hit, climbing to the Top 20 on many of the world's charts. Although the next single, "All You'll Ever Get From Me" (May 1971) failed to chart, "Co-Co" (June 1971) became a hit (UK #2). But the following single, "Alexander Graham Bell" (October, 1971) was only a minor hit (UK #33).

In February 1972, "Poppa Joe" was released and stopped at the gates of the United Kingdom Top 10, at number 11. The next two singles of the year, "Little Willy" and "Wig-Wam Bam" both peaked at #4 on the UK Singles Chart, and "Little Willy" reached #3 on the U.S. Billboard Hot 100 after a re-issue in 1973, becoming the group's biggest American hit. Although "Wig-Wam Bam" remained largely true to the style of Sweet's previous recordings, the vocals and guitars had a harder, more rock-oriented sound - largely because it was the first Sweet single on which the real members of Sweet played. It was in many ways, a transition single, paving the way for the change of musical emphasis that came in January 1973 with "Block Buster!" (an imperative to "Block Buster", later falsely often contracted to "Blockbuster", alluding with wailing siren sounds to Blockbuster bombs of World War II), Sweet's first chart-topping single, which quickly reached #1 on the UK chart. "Hell Raiser" was released in May and reached position #2, the success of which was repeated by the subsequent singles, "The Ballroom Blitz" (September, 1973) and "Teenage Rampage" (January, 1974).

As the group's popularity grew, Sweet put in a heavy schedule of UK and European TV promotional appearances, including numerous Top Of The Pops and Supersonic slots. Sweet soon picked up a large teenage audience. In one performance of "Block Buster!" on Top of the Pops, Priest aroused complaints after he appeared wearing a Nazi uniform and displaying a swastika armband. The band also capitalised on the glam rock explosion, rivaling Gary Glitter, T. Rex, Queen, Wizzard, and Slade for outrageous stage clothing.

In 1974, Sweet Fanny Adams, was their first Top 40 entry in the UK Albums Chart. Sweet's technical proficiency was demonstrated for the first time on self-penned hard rock tracks such as "Sweet FA" and "Set Me Free". Sweet also dropped their glam rock image in favour of a more conventional hard rock appearance. In response to UK music critics, Sweet concentrated on proving their musical talents with self-written tracks.

A second album was released during 1974 called Desolation Boulevard. One of the tracks off this album was a cover of The Who's "My Generation" (not on the U.S. version of the album). This album was recorded in a mere six days and featured a rawer "live" sound.

In 1975, RCA released a compilation album entitled The Sweet Singles Album (Australia and New Zealand only). This LP featured singles recordings, including the hits "The Ballroom Blitz", "Teenage Rampage", "Block Buster" and "Hell Raiser". The album coincided with their Australian tour and was a big seller. A double album, Strung Up was released in November (except USA), which contained one (and first for the band) live disc, recorded in the UK in December 1973, the other disc being a compilation of previously released A and B side singles (plus a new song by Chinn and Chapman - "I Wanna Be Committed"). Also at the end of the year Andy Scott released his first solo single titled "Lady Starlight". This was accompanied by a solo video clip of Scott playing the song (A subsequent alternative version was later added to the Japanese and U.S. versions of the 1976 Give Us A Wink album, and to the Andy Scott 30 Years CD with an alternate version. This song also appeared on the Desolation Boulevard album, but with a softer remix).

In 1975, Sweet went back into the studio to re-arrange and record a more pop-oriented version of the track "Fox on the Run," which originally appeared on the 1974 Desolation Boulevard LP. Sweet's first self-written and produced single, "Fox on the Run" (March, 1975), was released worldwide and instantly became their biggest selling hit, reaching number one in Germany and Australia, number two in the United Kingdom and the Netherlands and number five in the U.S. (1976 release). The following single issue, "Action" (July, 1975), peaked at UK #15. (Since 1975, all subsequent RCA and Polydor single releases were now referred to as simply Sweet).

Now confident in their own songwriting and production abilities, Sweet spent the latter half of 1975 in Musicland Studios in Munich, Germany, where they recorded the Give Us a Wink album with German sound engineer Reinhold Mack, who later recorded with Electric Light Orchestra and co-produced Queen.

January 1976 saw the release of "The Lies In Your Eyes". This single was not very successful around the world, except parts of Europe and Australia. As a result of its lack of success, Australia was the only country to get the follow up single "4th Of July". Give Us A Wink!, Sweet's first fully produced and written LP was released in March 1976.

During 1976, Sweet attempted to gain popularity in America by promoting new material from their Give Us A Wink album, with a heavy schedule of more than fifty concert dates. During an appearance at Santa Monica Civic Center on 24 March, Sweet played "All Right Now" with Ritchie Blackmore as a tribute to mark the death of Free guitarist Paul Kossoff. The second single from the LP, The Lies In Your Eyes went into the Top 10 in Germany, the Netherlands, and Australia, but only reached #35 on the UK charts.

Between October 1976 and January 1977, Sweet wrote and recorded new material at Kingsway Recorders and Audio International London studios for their next album. The first single from the yet to be released album was "Lost Angels". This single was only a hit in Germany. In April 1977, Off The Record was released, which was Sweet's final RCA album release. The next single from the album, "Fever of Love", represented the band heading in a somewhat more Europop hard rock direction. On this album, Sweet again worked with Give Us A Wink engineer Louis Austin, who would later engineer Def Leppard's On Through The Night 1980 debut album.

The 1976 and 1977 years featured Sweet as a more album-oriented, glam metal act. Albums such as Give Us a Wink! and Off the Record were undoubtedly Sweet's heaviest studio albums. Indeed, U.S. Top 20 chart entry "Action" was the group's hardest rocking hit single. "Stairway To The Stars" was Sweet's final single release for RCA.

Sweet split from RCA in late 1977. The first album for new label Polydor, Level Headed, found Sweet experimenting by combining rock and classical sounds "a-la clavesin", an approach similar to UK band ELO - indeed "Love Is Like Oxygen" is often wrongly mistaken for ELO.

In late October 1978, Sweet arrived at The Town House studio, Shepherds Bush, London, to write and record new material for their next album. Brian's erratic behavior and alcoholism was steadily becoming a greater issue. A number of tracks featuring Brian on vocals were recorded but were deemed unsatisfactory and an ouster occurred. Connolly's vocals were erased from the recorded material for the ensuing album Cut Above The Rest. Two album tracks titled "That Girl" and "Stay With Me" featuring Connolly on lead vocals remain from the late 1978 Cut Above The Rest recording sessions.

In 1979, Waters Edge was released in Europe under that title and as Sweet VI in the U.S. One more studio album, Identity Crisis was recorded in 1980-81 and Sweet performed their last live show at Glasgow University on March 20th, 1981. They disbanded in 1982 while Identity Crisis was only released in Germany that same year.

 

Wikipedia contributors. Sweet (band). Wikipedia, The Free Encyclopedia. February 19, 2009, 21:54 UTC. Available at: http://en.wikipedia.org/w/index.php?title=Sweet_(band)&oldid=271926422. Accessed February 22, 2009.

 

 

 






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